Lyrics that perfectly express the spirit of the times: Probably the best song for MP to pay tribute to Lemmy (after serenading his "Motörhead Mama" ). (Motörhead's latest "watcher" transmutation) And they Punj Lizard: Depends on which "watcher" they base their version on. It seems to be balanced on the stage of Central Park during the concert of Simon & Garfunkel with the knowledge that soon from under the beams some jet engine will spit its load of kerosene in the form of tongues of fire to shoot us into space, where those tongues will turn into the tentacles of The United Debased, Dreamkiller, Kingdom of Oblivion seducing us like the arms of KÄlÄ«, changing into an embrace when needed, as happens on Lady May1 and The Hunt.įrom the top of their elliptical and verdant planet, Motorpsycho watch our crumbling planet crumble before their eyes. Capable of absolute sweetness (see here the acoustic curtains of Atet, Cormorant and After the Fair) and of grungedelic rides like the eleven minutes of The Transumation of Cosmoctopus Lurker. Kingdom of Oblivion, in short, is the return to Motorpsycho a bit 'rain and a bit' leaden Timothy's Monster.
![oblivion song youtube oblivion song youtube](https://i.ytimg.com/vi/fpzaSXmc6lc/mqdefault.jpg)
![oblivion song youtube oblivion song youtube](https://i.ytimg.com/vi/PSF3Y_T5nAo/maxresdefault.jpg)
Bringing us back even in places already seen, such as The Watcher which was the first Hawkwind and Motörhead immediately following. The Waning introduces us directly in the comfort-zone of Motorpsycho, letting us understand that this time the journey will be less difficult, not without jolts, but somehow comfortable. Sembra di stare in equilibrio sul palco del Central Park in occasione del concerto di Simon & Garfunkel con la consapevolezza che presto da sotto le travi un qualche motore a reazione sputerà il suo carico di cherosene sottoforma di lingue di fuoco per spararci nello spazio, dove quelle lingue si trasformeranno nei tentacoli di The United Debased, Dreamkiller, Kingdom of Oblivion seducendoci come le braccia di KÄlÄ«, mutandosi in abbraccio quando serve, come succede su Lady May1 e The Hunt.ĭall’alto del loro pianeta ellittico e verdeggiante, i Motorpsycho guardano il nostro pianeta friabile sbriciolarsi sotto i loro occhi. Capaci di dolcezze assolute (vedi qui i sipari acustici di Atet, Cormorant e After the Fair) e di cavalcate grungedeliche come gli undici minuti di The Transumation of Cosmoctopus Lurker. Kingdom of Oblivion insomma è il ritorno ai Motorpsycho un po’ pluviali e un po’ plumbei di Timothy’s Monster. Riportandoci addirittura in posti già visti, come la The Watcher che fu degli Hawkwind prima e dei Motörhead subito appresso. The Waning ci introduce direttamente nella comfort-zone dei Motorpsycho, lasciandoci intendere che stavolta il viaggio sarà meno impervio, non privo di scossoni, ma in qualche modo confortevole. Further highlights of an atmospherically coherent, immensely varied long player with a lot of late sixties or early seventies feeling and yet blessed with timeless beauty are the hearty, riff-laden and thoughtful “The united debasedâ€, the gloomy, playful “ The watcher â€, the almost nine-minute, prog-seeming epic“ At empire's end â€and the spacey stoner monster“ The transmutation of Cosmoctopus Lurker â€Another masterpiece in the overflowing discography of the Norwegians. To underpin their statement, Motorpsycho followed up with the majestic title track, which then surprisingly merged into the acoustic, at least as ingenious “Lady May 1â€, somewhat reminiscent of the West Coast sound of Crosby, Stills & Nash. 1 & 2 â€, the guys from Trondheim again playfully prove who the kings of psychedelic noise hard rock are. With the clattering and creaking marching, surprisingly melodic “The warning, Pt. Weitere Highlights eines atmosphärisch stimmigen, dabei immens abwechslungsreichen Longplayers mit viel Spät-Sixties- beziehungswiese Früh-Seventies-Feeling und doch von zeitlloser Schönheit gesegnet, sind das ebenso deftig riff-beladene, wie nachdenkliche „The united debasedâ€, das düster-verspielte „The watcherâ€, das fast neunminütige, proggig anmutende Epos „At empire’s end†und das spacige Stoner-Monster „The transmutation of Cosmoctopus Lurker †Ein weiteres Meisterwerk in der von solchen überquellenden Diskografie der Norweger. Um ihr Statement aber noch zu untermauern legen Motorpsycho mit dem majestätischen Titeltrack nach, der dann überraschend in das akustische, etwas an den Westcoast-Sound von Crosby, Stills & Nash erinnernde und mindestens ebenso geniale „Lady May 1†übergeht. Als ob wir das nicht alle längst wüssten. 1 & 2†stellen die Herrschaften aus Trondheim mal wieder spielend unter Beweis, wer die Könige des psychedelischen Noise-Hardrocks sind. Mit dem scheppernd und knarzend vorwärts marschierenden, dabei erstaunlich melodischen „The warning, Pt.
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Posted by FCO in the main Kingdom of Oblivion thread.